Book Club Reads: 2024
We’re excited to share that Book Club is officially back for 2024! Please see below the lists of monthly reads for the the year.
We hope that in sharing this comprehensive list at the begining of the year, it gives you ample time to acquire or arrange to borrow the texts from your local library.
We so look forward to reading alongside community once more. If you’re not already in the Self Practice Book Club Facebook group, we’d love to have you. See you over there and happy reading!
January
Yellowface, Rebecca F. Kuang
Athena Liu is a literary darling. Juniper Hayward is literally nobody. When Athena dies in a freak accident, Juniper steals her unpublished manuscript and publishes it as her own under the ambiguous name June Song.
But as evidence threatens Juniper’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.
With its totally immersive first-person voice, Yellowface grapples with questions of creative ownership, diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable.
February
Outline, Rachel Cusk
A woman arrives in Athens in the height of the summer to teach a writing course. Once there, she becomes the audience to a chain of narratives as the people she meets tell her one after another the stories of their lives.
Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voices begins to weave a complex human tapestry: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.
March
The Creative Act: A Way of Being, Rick Rubin
Many famed music producers are known for a particular sound that has its day and then ages out. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable.
Over the years, as he has thought deeply about where creativity comes from and where it doesn't, he has learned that being an artist isn't about your specific output; it's about your relationship to the world. Creativity has a place in everyone's life, and everyone can make that place larger. In fact, there are few more important responsibilities.
The Creative Act is a beautiful and generous course of study that illuminates the path of the artist as a road we all can follow. It distils the wisdom gleaned from a lifetime's work into a luminous reading experience that puts the power to create moments - and lifetimes - of exhilaration and transcendence within closer reach for all of us.
April
The Story of Art Without Men, Katy Hessel
How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?
Discover the glittering Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century USA and the artist who really invented the Readymade. Explore the Dutch Golden Age, the astonishing work of post-War artists in Latin America and the women artists defining art in the 2020s.
Have your sense of art history overturned, and your eyes opened to many art forms often overlooked or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it's never been told before.
May
Tremor, Teju Cole
Tunde, the man at the centre of this novel, reflects on the places and times of his life, from his West African upbringing to his current work as a teacher of photography on a renowned New England campus. He is a reader, a listener, and a traveller drawn to many different kinds of stories: from history and the epic; of friends, family, and strangers; those found in books and films. One man's personal lens refracts entire worlds, and back again.
A weekend spent shopping for antiques is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speak out from a pulsing metropolis.
Tremor is a startling work of realism and invention that examines the passage of time and how we mark it. It is a reckoning with human survival amidst "history's own brutality, which refuses symmetries and seldom consoles" - but it is also a testament to the possibility of joy. This is narration with all its senses alert, a surprising and deeply essential work from a beacon of contemporary literature.
June
Ways of Curating, Hans Ulruch Obrist
The world’s most influential contemporary-art curator explores the history and practice of his craft.
Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age.
Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher’s seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come.
Obrist has rescued the word curate from wine stores and playlists to remind us of the power inherent in looking at art–and at the world–in a new way.
July
The Museum of Moden Love, Heather Rose
Arky Levin is a film composer in New York separated from his wife, who has asked him to keep one devastating promise. One day he finds his way to The Atrium at MOMA and sees Marina Abramovic in The Artist is Present. The performance continues for seventy-five days and, as it unfolds, so does Arky. As he watches and meets other people drawn to the exhibit, he slowly starts to understand what might be missing in his life and what he must do.
This dazzlingly original novel asks beguiling questions about the nature of art, life and love and finds a way to answer them.
August
People Who Lunch, Sally Olds
This book is about working and not working, hating work and needing to work, intimacy and technology, money and love, labour and pleasure.
Across a series of essays, Sally Olds probes the ambivalent utopias of polyamory, cryptocurrency, clubbing, communes, a secret fraternity, and the essay form itself. Curiosity drives each of these adventures into projected worlds, where Olds explores how living with precariousness changes expectations of how a life can be lived in this thrilling appraisal of the state of things.
September
Your Silence Will Not Protect You, Audre Lorde
Your Silence Will Not Protect You collects the essential essays and poems of Audre Lorde for the first time, including the classic 'The Master's Tools Will Never Dismantle the Master's House'. A trailblazer in intersectional feminism, Lorde's luminous writings have inspired a new generation of thinkers and writers charged by the Black Lives Matter movement.
Her lyrical and incisive prose takes on sexism, racism, homophobia, and class; reflecting struggle but ultimately offering messages of hope that remain ever-more trenchant today. Also a celebrated poet, Lorde was New York State Poet Laureate until her death; her poetry and prose together produced an aphoristic and incomparably quotable style, as evidenced by her constant presence on many Women's Marches against Trump across the world.
This beautiful edition honours the ways in which Lorde's work resonates more than ever thirty years after they were first published.
October
Conversations on Love, Natasha Lunn
After years of feeling that love was always out of reach, journalist Natasha Lunn set out to understand how relationships work and evolve over a lifetime. She turned to authors and experts to learn about their experiences, as well as drawing on her own, asking- How do we find love? How do we sustain it? And how do we survive when we lose it?
In Conversations on Love she began to find the answers:
Philippa Perry on falling in love slowly
Dolly Alderton on vulnerability
Stephen Grosz on accepting change
Candice Carty-Williams on friendship
Lisa Taddeo on the loneliness of loss
Diana Evans on parenthood
Emily Nagoski on the science of sex
Alain de Botton on the psychology of being alone
Esther Perel on unrealistic expectations
Roxane Gay on redefining romance
and many more…
November
Harvest Lingo, Lionel Fogarty
Harvest Lingo is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia’s foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.
Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country - poverty, class division, corruption - and those he sees in contemporary Australia, besetting his own people.
Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty’s own position as a poet and an activist, speaking with and for his community.
Fogarty’s poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the ‘harvest lingo’ which gives the collection its title.
December
How to be Both, Ali Smith
Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else.
How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a renaissance artist of the 1460s. There’s the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life’s givens get given a second chance.
Image: Simay Demirel
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